Episode 76 – Ballet PIanists’ Interpretations of David Yow’s Ballet exercises
This episode is a playing episode. The pianists interpret David’s work as he sets four exercises from a standard ballet class. The team tried as…
This episode is a playing episode. The pianists interpret David’s work as he sets four exercises from a standard ballet class. The team tried as…
This episode is a unique one. It features, Chris, Akiko, and Matt all playing musical examples, something which doesn’t happen very often. You will hear…
Today’s episode is the second instalment of the TEN COMMANDMENTS, and it’s the turn of the commandments for dancers and teachers as told by us pianists.
We have a fantastically funny episode for you today, with a rather tongue-in-cheek title. In previous episodes, we have talked about introductions and what we need to get the exercise going, but what about our needs for the exercise coming to an end?
We bring you a technical episode this week, and it’s all about counting music where the strong beat is not where you expect it to be. Some tunes do not start on the first beat of the bar, and as a result counting them for dancers can be tricky.
Chris took it upon himself this week to go full on Broadway and West End in class for a while.
In the absence of David Yow, the three pianists bring you a Hot Topic episode very close to our hearts, and an essential skill required to becoming a successful ballet pianist. We are discussing how we arrange existing pieces of music to make it suitable for a ballet class, and ballet phrasing.
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